During our everyday proceedings, we leave a lot of small notes which are not intended to last. If we notice a mistake, change or proceed in our plans, we cross the invalid words out. These gestures of cancellation are hardly controlled and can reveal a characteristic ductus, detached from any particular shape.

I have collected notes from various people and cleared them of all definite words, leaving only the marks. The unintended composition is then enlarged to wall-size and drawn directly onto the wall with high precision, revealing its graphic potential.

correction#4 (Rosinen) at Kunstakademie Karlsruhe, 2012
works by Tomomi Morishima and Jonas Fleckenstein to the left and in the background

postcard inviting people to submit notes for the project, edition of 100
camera: Pietro Pellini

correction#2 (Chemnitz) at Städtische Kunsthalle Karlsruhe, 2012

detail of correction#2 (Chemnitz)

correction#5 (Miete) at Bundeskunsthalle Bonn, 2013

corrections, since 2012
series of murals (graphite)